《包法利夫人(英文版)》是法国19世纪批判现实主义文学大师福楼拜的代表作。主人公艾玛是一位外省农村少女，在修道院受到与自己出身完全不相称的贵族教育，受到了消极浪漫主义思潮的影响。后来，破产的父亲把她嫁给乡村医生包法利做续弦……

《包法利夫人(英文版)》是法国19世纪批判现实主义文学大师福楼拜的代表作。

《包法利夫人(英文版)》：主人公艾玛是一位外省农村少女，在修道院受到与自己出身完全不相称的贵族教育，受到了消极浪漫主义思潮的影响。后来，破产的父亲把她嫁给乡村医生包法利做续弦。包法利平庸无能的使她由失望、不满逐步陷入堕落的泥潭，先后沦为地主罗多夫和书记员莱昂的情人，并为此欠下了沉重的债务，最后在高利贷逼迫下服毒自尽。作者以简洁而细腻的文笔，深刻地揭露了法国19世纪中叶恶浊的社会现实。

PartI

 Chapter One

 Chapter Two

 Chapter Three

 Chapter Four

 Chapter Five

 Chapter Six

 Chapter Seven

 Chapter Eight

 Chapter Nine

PartII

 Chapter One

 Chapter Two

 Chapter Three

 Chapter Four

 Chapter Five

 Chapter Six

 Chapter Seven

 Chapter Eight

 Chapter Nine

 Chapter Ten

 Chapter Eleven

 Chapter Twelve

 ChaDter Thirteen

 Chapter Fourteen

 Chapter Fifteen

PartIll

 Chapter One

 Chapter Two

 Chapter Three

 Chapter Four

 Chapter Five

 Chapter Six

 Chapter Seven

 Chapter Eight

 Chapter Nine

 Chapter Ten

 Chapter Eleven

Chapter Eight

The chateau，a modem building in Italian style，with two projectingwings and three flights of steps．1ay at the foot of an immense green-sward，0n whlch some COWS were grazing among groups of large trees set out atregular intervals，while large beds of arbutus，rhododendron，synngas，andguelder roses bulged out their irregular clusters of green along the curve ofthe gravel path．A river flowed under a bridge；through the mist one coulddistinguish buildings with thatched roofs scattered over the field borderedby two gently sloping，well timbered hillocks，and in the background amidthe trees rose in two parallel lines the coach houses and stables，all that wasleR 0fthe mined old chateau

 Charles’S dog．cart pulled up before the middle flight of steps；servantsaDpeared；the Marquis came forward，and，offering his ariTl to the doctor’s wife，conducted her to the vestibule

It was Daved with marble slabs，was very lofty，and the sound offOOtsteps and that ofvoices re—echoed through it as in a church

 ODposite rose a straight staircase，and on the left a gallery overlookingthe garden led t0 the billiard room，through whose door one could hear the click 0f the ivorv balls。As she crossed it to go to the drawing room，Emma saw standing round the table men with grave faces，their chins restmg on high cravats They all wore orders，and smiled silently as they made their strokes

On the dark wainscoting of the walls large gold frames bore atthe bOttOm names written in black letters She read：“Jean-Antoine d’Andervilliers d’Yvervonbille，Count de la Vaubyessard and Baron de 1a Fresnav，killed at the battle of Coutras on the 20th of October，1587”And on anOther：“Jean-Antoine—Henry—Guy d’Andervilliers de1a Vaubyessard，Admiral of France and Chevalier of the Order of St MichaeI，wounded at the battle of the Hougue-Saint-Vaast on the 29th of Mav，1692：died at Vaubyessard on the 23rd of January 1693”One could……

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