《流散作家主体性建构(张爱玲英文小说研究)》(作者乔幪)以萨义德的东方主义观点视角切入，对张爱玲的文化身份即流散作家加以界定，通过对其作品的深入剖析和解构，作者得出如下结论：张爱玲心中隐含着对文化身份回归的渴望，对于那些处于东西方不同文化语境中的流散作家给予深切的同情；身处西方殖民话语中的张爱玲，在其作品《赤地之恋》和《秧歌》中，既受到了西方的东方主义的影响，又在这两部作品中隐晦地表达了自己对美国东方主义的否认和心灵的救赎。

Preface

Chapter 1 Introduction

1.1 Background of the Study

1.2 Statement of the Problem

1.3 Objectives of the Study

1.4 Significance of the Study

1.5 Summary

Chapter 2 Conceptual Framwork and Methodology

2.1 Orientalism

2.2 Ambivalent Construction of Stereotypes

2.3 Diaspora

2.4 Discourse

2.5 Summary

Chapter 3 Sympathy for the Diasporic Members ...

3.1 Orientalist Discourse, and Chinese Intellectuals"

3.2 The Colonizer as a Victim

3.3 Desire for Absence

3.4 Summary

Chapter 4 The Intervention of American Orientalism-

4.1 Aesthetic Expression and Political Uncertainty

4.2 Subordination and Redemption

4.3 Summary

Chapter 5 Marginalisation in the Host Society

5.1 American Orientalism and the Rejection of the Rewriting

5.2 From Resistance to Collusion

5.3 The Impact of the Diasporic Life

5.4 Summary

Chapter 6 Conclusion

References